Showing posts with label Islam. Show all posts
Showing posts with label Islam. Show all posts

Monday, May 8, 2017

The Moral Confusion Of Julia Ebner

As of this writing, Julia Ebner is a Senior Researcher at Quilliam Global —

https://www.quilliaminternational.com/about/staff/julia-ebner/
https://archive.is/g6EZz
Julia Ebner's profile at Quilliam International, May 7, 2017.


Quilliam Global is supposedly "the world’s first counter-extremism organisation" (emphasis added) —

https://everipedia.org/wiki/lang_en/Quilliam_(think_tank)
https://www.quilliaminternational.com/about/
https://archive.is/08fhI
About Us, Quilliam International, May 7, 2017.


Notice that the name 'Quilliam' comes from Abdullah Quilliam, a British convert to Islam, who argued for a global 'Caliphate' —
     https://www.google.com/search?q=Abdullah+Quilliam

But notice that a 'Caliphate' is an Islamic theocracy, and is therefore a form of religious extremism, since it requires religious oppression —
     https://www.britannica.com/place/Caliphate
     https://everipedia.org/wiki/lang_en/caliphate
     https://www.google.com/search?q=caliphate

So it is no surprise that a 'Senior Researcher' at an organization named for a follower of Islam, would make no attempt to criticize Islam.  For example, notice the absurd moral confusion from Julia Ebner in the quote below, and apply her thinking to WW II, as just one other example of extremist world views (the quote begins at about 5:20 in the video) —

"... they are also consistent with the other extreme's world view.  Islamist extremists tell us the West is at war with Islam.  While the far-right tells us that Islam is at war with the West.  Well, they're perfectly complementary.  If we go back to our 'Star Wars' example, whether you are on the 'light' or on the 'dark' side of 'the force' doesn't really change the story. The only thing that does is the perspective.  The same is true for far-right and Islamist extremists — they are in the same movie, reinforcing the same story.  And thus helping each other as story tellers. ..."


Notice that "the dark side", using Ebner's reference to the 'Star Wars' movies, was synonymous with "the empire" and evil — that is, "the dark side" in Ebner's reference, is completely consistent with statism and tyranny, where an evil regime thought nothing of destroying entire planets as an exercise in coercing rebel leaders (like Princess Leia) —



But that one side was fighting to enforce tyranny and create destruction, while the other was fighting for freedom, did not "really change the story" for Julia Ebner — it is just a story about a fight between two groups of extremists.

And notice that Julia Ebner was using her 'Star Wars' reference as a denigrating example of a cultural phenomena — that is, that people too readily respond to oversimplified world views, that eliminate confusing details, to create simple black and white assessments of world events (the image below appears at 3:30 in Ebner's TEDx video) —

"... In an increasingly complex world, black and white narratives, that eliminate all confusing gray zones can be comforting.  We all love binary world views.  Just think about the most successful movies in history.  'Star Wars', you have the light and the dark side of the force.  It's simple.  I even understood the narrative at the age of 6 and thought it was great. ..."


Julia Ebner claims to have understood the "simple" 'Star Wars' narrative at the age of 6, yet she still is not able to keep the dramatic differences between the two sides straight, and that their goals, methods, and practices, completely contradict one another — as opposed to being "complementary".  That is the whole point.  That is, self-defense is not complementary with aggression — self-defense is a response to aggression to restore freedom, whereas aggression is the initiation of force to end freedom (whether from a petty criminal or a state).   The conflict in movies like 'Star Wars'  is extreme to make it simple for the audience to take sides.  This does not mean the conflict is simple, or that people have a "binary world view" — it means that any sane person can easily tell who the bad guys are — despite that Julia Ebner still seems to be having trouble with this.

Now apply Julia Ebner's thinking to WW II — since the Allies would have told us that they were at war with the Axis powers, while the Axis powers would have told us that they were at war with the Allies, they represent two extremist groups "in the same movie".  So according to Julia Ebner's perverse logic regarding "storytelling", the Allied and Axis powers (most especially Nazism under Hitler's Germany), would be "complementary", "reinforcing the same story, and thus helping each other as story tellers."   Should this make sense to any sane person?

And Notice that the definition of 'complementary' is:
 "combining in such a way as to enhance or emphasize the qualities of each other or another."
So can any sane person explain how Islamist "extremists" (with their support for religious theocracy under Sharia Law), and Western "extremists" (with their support for secularism, free speech, and free elections), enhance the qualities of one another?

Obviously, this is completely absurd — any religious theocracy (never mind Islam and its violent Sharia Law (e.g. death to apostates)) is completely antithetical to the Western value of freedom (especially religious freedom).   There is no reasonable way anyone could argue that the conflicts over such contradictory world views are somehow "complementary", as Julia Ebner has attempted to do.  But following Ebner, anyone who points out these obvious conflicts and contradictions, between the West and Islam, or the Allied and Axis powers, or the "light" and "dark" sides of "the force" in 'Star Wars', and takes sides against aggression, is a "far-right extremist".   And per Ebner, these "extremists" are all "... reinforcing the same story ... they're perfectly complementary" — the stories do not conflict.

As if all this were not enough, notice that Julia Ebner suggests a moral equivalence between Donald Trump and the militant Sunni terrorist Abu Bakr al-Baghdadi —

"... So yes, maybe after all it wouldn't be so absurd to see Trump and al-Baghdadi celebrate their triumphs together. ..."


Does Julia Ebner honestly believe that Donald Trump would like to establish some kind of Christian dictatorship, that is somehow equivalent with the Islamic theocracy that Al-Baghdadi would like to establish?  Or is Julia Ebner simply lying?

And does Julia Ebner think that such asinine hyperbole would embolden those like Trump and his supporters, or somehow make them go away?   Such irony — in a talk that is supposedly about "extremist" groups feeding off one another, the speaker casually drops extreme statements comparing the head of state of a free country, to a militant terrorist who wishes to establish a religious theocracy.   It is no surprise that someone like Julia Ebner would be too blind to see her own role in what she calls "extremism".

So much for being a "Senior Researcher" at an organization which is supposedly aimed at "counter-extremism".   Julia Ebner's work is best described by the phrase 'advocacy research' — research attempting to promote a political agenda, rather than the truth —
     https://www.google.com/search?q=advocacy+research

Saturday, July 9, 2016

A Little More Of The Typical Cowardice Over Charlie Hebdo

Here is a summary at gawker.com of the most infamous cartoons from the French weekly magazine 'Charlie Hebdo' —
     http://gawker.com/what-is-charlie-hebdo-and-why-a-mostly-complete-histo-1677959168
     http://archive.is/kXW0S

Here is a reader comment to the gawker.com article above, that nicely sums up one of the more typical reactions to the mocking humor of 'Charlie Hebdo', and the obscene violence that has been committed in response to that humor —

http://gawker.com/i-know-a-lot-of-people-are-jumping-on-the-free-speech-1677979891
http://gawker.com/what-is-charlie-hebdo-and-why-a-mostly-complete-histo-1677959168
http://gawker.com/what-is-charlie-hebdo-and-why-a-mostly-complete-histo-1677959168#replies
I know a lot of people are jumping on the "free speech!" bandwagon, but this really has to be into context.  It's not really so much about free speech and "blasphemy."  The discourse in Europe towards Muslims/Arabs/immigrants/etc. (they're all the same for many Europeans) has taken a very uncomfortable turn for the worst and we're seeing a strong backlash against Islam and immigration in many places in Europe.  Islam/Muslims/non-withes/immigration are represented are being a "problem."  This is in spite of the fact that Muslims/non-whites/immigrants will face intense discrimination and lack of opportunity from the broader (white) society.  So you have millions of Muslims/Arabs/Turks/immigrants/etc. seeing that the political discourse has turned to them "being a problem" when they know that a huge part of it is that they really aren't being allowed to integrate by the broader society.

Those cartoons aren't simple drawings of Muhammad. There is a distinct political message behind them, and they border on being outright racist (the Jyllands-Posten cartoons of Muhammad are). It really doesn't matter that the magazine is an "equal opportunity" offender, Catholics aren't a disenfranchised minority in Europe. The cartoons just added flames to an already very volatile fire. They are being willfully and purposefully offensive to an already marginalized and disenfranchised group of people in Europe.
Reader comment to a gawker.com article on the Charlie Hebdo cartoons, January 7, 2015.


When this reader claims that immigrants 'really aren't being allowed to integrate by the broader society', is she referring to the regular protests by Muslim immigrants in Europe for the imposition of Sharia law? —



Or perhaps she is referring to those brazenly irrational Muslims who wander the streets of London at night, harassing others to follow some of the dictates of Islam — as if attempting to control the behavior of others, who are in no way affecting you, is an expression of religious freedom.   Oh yes, it is our old friend the Orwellian double think again — my freedom requires your oppression —



Or perhaps she is referring to the notorious Rotherham child sexual exploitation scandal, which involved the abduction, rape, and torture, of over 1,400 children, predominantly by gangs of British-Pakistani men, for well over 10 years (1997 to 2013) —
     http://s.telegraph.co.uk/graphics/projects/rotherham/index.html
     http://www.bbc.com/news/uk-england-south-yorkshire-28934963

And regarding the reader's comment on the cartoons contained in the gawker.com article ― of course, there is 'a distinct political message behind them' ― that is, that people cannot control what others write or draw because they do not like it, for whatever reason, even if they can prove it is offensive.  That is a basic requirement of life in a free, civilized society — you do not get to play dictator, and control the behavior of others, simply because you are upset because they disagree with you, or because they mock you.   That is the whole point — when you make brazenly irrational demands for the special treatment of your belief system — that it must be exempt from any kind of criticism, or that certain pictures cannot be drawn regarding it — you have explicitly announced your ignorance regarding freedom of expression, and that you are a danger to any free, civilized society.   Just as the Muslims in the videos above have done.

So, if you are sympathetic to the reader's comment quoted above, how would you defend her claim that it is the immigrants who 'aren't being allowed to integrate by the broader society'?   Good luck with that.

In parting, here is a little more of the same.   There is one quote from the article at the link below that must be repeated — an absurd analogy between the 'Charlie Hebdo' cartoonists and a fascist group that would like to exercise widespread dictatorial control, in much the same way as Islam — neo-Nazis.   Once again, you could not make this up — a professional journalist makes a comparison between the exercise of free speech by a fascist organization, and the exercise of free speech by a satirical periodical which regularly mocks those who wish to establish a religious theocracy —

http://www.theguardian.com/.../2015/apr/28/i-admire-charlie-hebdos-courage-but-it-does-not-deserve-a-pen-award
...
But that is not the same as feeling that Charlie Hebdo deserves an award.  As a friend wrote me: the First Amendment guarantees the right of the neo-Nazis to march in Skokie, Illinois, but we don’t give them an award.  The bestowing of an award suggests to me a certain respect and admiration for the work that has been done, and for the value of that work and though I admire the courage with which Charlie Hebdo has insisted on its right to provoke and challenge the doctrinaire, I don’t feel that their work has the importance – the necessity – that would deserve such an honor.
...


Some may have the impression from what I have written defending 'Charlie Hebdo' that I am a great admirer of their work.   I am not.   But I know that 'Charlie Hebdo' displayed rare courage — a character trait that is in terribly short supply today — and for that, 'Charlie Hebdo' deserves to be defended.

Saturday, July 2, 2016

Linda Sarsour: Obedience Is Freedom

As of this writing, Linda Sarsour is the executive director of the 'Arab American Association of New York'.  Linda is a Muslim American woman, who was born and raised in Brooklyn, New York.

Here is a short video profile of Linda Sarsour —



At 1:19 in the video clip above Linda Sarsour makes the following statement —
"Oppression of women is absolutely shunned in the Islamic faith."
It seems that Linda Sarsour never read Chapter 4, Verse 34 from the Quran (one of the founding texts of the religion of Islam), which clearly states that 'righteous women are devoutly obedient', and that husbands can 'strike their wives' as a last resort, simply for 'fearing they are arrogant' —

http://quran.com/4/34
The Quran, Chapter 4, Verse 34


Is that what you think of as 'absolutely shunning' the oppression of women?

And notice that Linda Sarsour also claims to be a feminist (she states this in the first 10 seconds of the video above).

What an odd notion — that the subjugation of women by men would be considered consistent with a movement that was founded to promote the rights of women — i.e. feminism.

So now, according to Linda Sarsour, being a follower of a set of religious beliefs which explicitly state that 'men are in charge of women', and that husbands can strike their wives for arrogance, is in no way incompatible with feminism.

You could not make this up.  It would be difficult to find two beliefs that are more contradictory — feminism and Islam — and yet we have this fairly common, but bizarre spectacle of women defending a belief system which could not be more explicit about oppressing them.

Here is a page at WhiteHouse.gov promoting Linda Sarsour as a 'Champion of Change' —

http://www.answeringmuslims.com/2014/04/white-house-champion-of-change-linda.html
https://www.youtube.com/watch?v=AQYwq0cC_1g
Linda Sarsour on whitehouse.gov


It is just a little ironic that the Obama administration would honor someone who believes that an Al-Qaeda plot to blow up civilian aircraft, that was foiled in part by the CIA, was actually a plot by the CIA.  Here is a tweet by Linda Sarsour to that effect, along with links to two articles that attempt to explain what was really going on —

https://www.washingtonpost.com/world/national-security/cia-disrupts-airline-bomb-plot/2012/05/07/..._story.html
https://www.washingtonpost.com/world/...-aqap-took-bait-dangled-by-saudi-informant/2012/05/09/..._story.html

https://twitter.com/lsarsour/status/200052719178883073
Linda Sarsour tweet of May 8, 2012, regarding CIA role in foiling bomb plot


And I wonder how the many young women and girls who are victims of Islamic religious practices (such as being beaten for supposedly being arrogant), would react to knowing that a woman in the United States is to some degree celebrated for defending the religion that oppresses them.

For example, consider the case of Nada Al-Ahdal, who I wrote about here, back in January of 2015.

Or consider the even more infamous case of Nujood Ali, who was married at 8 years old, and raped and beaten by her husband —



Or consider the terrible problem of child brides in general.   This 'Journeyman Pictures' documentary is specific to that Islamic practice in Yemen, but there is no indication that this problem is isolated to that country —



So much for Linda Sarsour's absurd claim that the religion of Islam shuns the oppression of women (as if Islam shuns the oppression of anyone).

And it should not be surprising that Linda Sarsour's organization, 'Arab American Association of New York' would receive funds from the New York City 'Mayor's Fund To Advance NYC', under Bill De Blasio, since Linda Sarsour campaigned for De Blasio —
     http://nypost.com/2015/10/23/taxpayers-should-not-be-funding-this-anti-american-hate-spewer/
     http://www.jewishpress.com/. . ./nyc-gives-500k-to-group-led-by-violence-glorifying-arab-activist/2016/04/04/

In my previous post about Nada Al-Ahdal back in January of 2015, I also mentioned Nujood Ali, and pointed to an article that quoted Nujood as being bitterly disappointed, because even after all of the international attention Nujood received for having the courage to seek a divorce from her abusive husband without the support of her family, she and others like her received no help.

Well, to Nujood I would say, sorry, but no one is coming — they are too busy celebrating the likes of useful idiots like Linda Sarsour, and their attempts to distract from the atrocities committed in the name of Islam.

Wednesday, April 13, 2016

Garry Trudeau, Charlie Hebdo, And Cowardly Conformity


"... we have now sunk to a depth at which the restatement of the obvious is the first duty of intelligent men."
    — George Orwell, in his 1939 review of Betrand Russell’s book 'Power: A New Social Analysis'


Garry Trudeau is the Pulitzer Prize-winning cartoonist, famous for his comic strip 'Doonesbury'.

Trudeau started writing 'Doonesbury' back in 1970, when he was 22 years old.

Here is Trudeau, on April 10 of 2015, describing his work on 'Doonesbury' as supposedly 'raw and subversive'.  Trudeau made these remarks at the Long Island University's George Polk Awards ceremony, where he received the 2014 George Polk Career Award for 'Doonesbury' --

http://www.theatlantic.com/international/archive/2015/04/the-abuse-of-satire/390312/

The Abuse of Satire
GARRY TRUDEAU   April 11, 2015
My career—I guess I can officially call it that now—was not my idea.  When my editor, Jim Andrews, recruited me out during my junior year in college and gave me the job I still hold, it wasn’t clear to me what he was up to.  Inexplicably, he didn’t seem concerned that I was short on the technical skills normally associated with creating a comic strip—it was my perspective he was interested in, my generational identity.  He saw the sloppy draftsmanship as a kind of cartoon vérité, dispatches from the front, raw and subversive.

Why were they so subversive?  Well, mostly because I didn't know any better.  My years in college had given me the completely false impression that there were no constraints, that it was safe for an artist to comment on volatile cultural and political issues in public.  In college, there's no down side. In the real world, there is, but in the euphoria of being recognized for anything, you don't notice it at first. Indeed, one of the nicer things about youthful cluelessness is that it's so frequently confused with courage.
...


Pay special attention to these remarks that Trudeau made later in the same speech regarding Muslim attacks over cartoons, and specifically, 'Charlie Hebdo' --

http://www.theatlantic.com/international/archive/2015/04/the-abuse-of-satire/390312/

...
I, and most of my colleagues, have spent a lot of time discussing red lines since the tragedy in Paris.  As you know, the Muhammad cartoon controversy began eight years ago in Denmark, as a protest against “self-censorship,” one editor’s call to arms against what she felt was a suffocating political correctness.  The idea behind the original drawings was not to entertain or to enlighten or to challenge authority—her charge to the cartoonists was specifically to provoke, and in that they were exceedingly successful. Not only was one cartoonist gunned down, but riots erupted around the world, resulting in the deaths of scores.  No one could say toward what positive social end, yet free speech absolutists were unchastened.  Using judgment and common sense in expressing oneself were denounced as antithetical to freedom of speech.

And now we are adrift in an even wider sea of pain.  Ironically, Charlie Hebdo, which always maintained it was attacking Islamic fanatics, not the general population, has succeeded in provoking many Muslims throughout France to make common cause with its most violent outliers.  This is a bitter harvest.

Traditionally, satire has comforted the afflicted while afflicting the comfortable.  Satire punches up, against authority of all kinds, the little guy against the powerful.  Great French satirists like Molière and Daumier always punched up, holding up the self-satisfied and hypocritical to ridicule.  Ridiculing the non-privileged is almost never funny—it’s just mean.

By punching downward, by attacking a powerless, disenfranchised minority with crude, vulgar drawings closer to graffiti than cartoons, Charlie wandered into the realm of hate speech, which in France is only illegal if it directly incites violence.  Well, voila—the 7 million copies that were published following the killings did exactly that, triggering violent protests across the Muslim world, including one in Niger, in which ten people died.  Meanwhile, the French government kept busy rounding up and arresting over 100 Muslims who had foolishly used their freedom of speech to express their support of the attacks.
...


The pretentious absurdity of Trudeau's comment regarding the original Muhammad cartoon controversy deserves special attention — you may recall that controversy arose from a 'Jyllands-Posten'  issue published in 2005 in Denmark —
The idea behind the original drawings was not to entertain or to enlighten or to challenge authority—her charge to the cartoonists was specifically to provoke, and in that they were exceedingly successful.
Even if Trudeau's claim is true — that the original cartoons were designed to provoke — how is that relevant?

Is this how far the average person has regressed in their understanding of the requirements of a free society?  Do highly educated people really want to argue that if someone claims they were 'provoked' by a cartoon, that that gives them any kind of justification for committing a mass murder?

Stop and ponder that, and the kind of world we will soon live in (if we do not already), if sociopathic religious fanatics are given sympathy for every mass murder they commit, as long as they have a cartoon they can refer to that mocks some aspect of their religion — even when that aspect deserves to be mocked.

And notice that Trudeau's claim that the original intent of the Muhammad cartoons 'was not to entertain or to enlighten or to challenge authority', is a purely subjective opinion that does absolutely nothing to support his feeble and grotesquely cowardly criticism.  And again, even if this claim were true, it also does absolutely nothing to give cause to fanatical Muslims to commit mass murders.

Let's be clear, for those like Trudeau who are so completely confused about this — if someone created cartoons that were specifically about you, and you could prove they were libelous, and so you murdered the author of the cartoons, in any civilized country you would not be celebrated for 'avenging your name' — you would rightfully be charged with murder.  That is, reasonable people do not see murder as an appropriate penalty for insults, however damaging, since an insult and death are in no way proportional.

And a direct personal defamation is not analogous to the situation Trudeau is commenting on — a defamation of particular individuals is a more extreme case, and emphasizes the absurdity of Trudeau's position, since even then, the sympathy and support that Trudeau is expressing for the murderers would still be insane.  None of this is about a direct personal attack, it is about mockery of Islam — i.e. a body of religious belief.

And it should also be repeated here, for people who share Ben Affleck's confusion, that religions are not races of people — that is, being Muslim, or Catholic, or Protestant, etc., is a choice.  We all know that anyone can change their religious beliefs whenever they want (well, except for Muslims, since some may end up being murdered by their family members).  But obviously being Japanese, or Ethiopian, or Italian, or Irish, etc., is not a choice — you cannot change your race, ever.

And notice that it is trivial to make the case that the original Muhammad cartoons did exactly what Trudeau claims they did not — that is, entertain, enlighten, and challenge authority.

Here is just one example from the 'Jyllands-Posten' cartoons published back in 2005 --

http://www.aina.org/releases/20060201143237.htm
A Muhammed cartoon published by Jyllands-Posten in 2005.
Example of a Muhammed cartoon published by Jyllands-Posten back in 2005.


To those admiring readers of Trudeau, please explain why this cartoon, as just one example, does not do exactly what Trudeau claims it does not?

If anything, the cartoon above is much more effective in achieving Trudeau's supposed goal of spreading 'enlightenment' than the typical insipid 'Doonesbury' strip (more on that below).

But we should keep in mind, again, that it is, after all, only a cartoon, so Trudeau has some pretty lofty goals for a simple comic strip (never mind a single cartoon).   So we should be clear, there is an obvious self-flattery in Trudeau's remarks quoted above.  That is, Garry Trudeau expresses an incredible delusion, if he believes that all of 'Doonesbury' consistently displays one or more of the qualities he listed in his talk quoted above: 'entertains, enlightens, or challenges authority'.

No cartoon or comic strip will consistently achieve those goals — if it can achieve them at all — and Trudeau's strip 'Doonesbury' acts as a perfect and glaring demonstration of that obvious point.   If Trudeau's criteria are valid for judging the legitimacy of any cartoon, and are required to justify its existence, we have failure at the outset for all cartoonists, and 'Doonesbury' also has no right to exist.

So fancy that, a pretentious cartoonist thinks he is a beacon of enlightenment.   Please.

Let me take a crack at pointing out what seems so difficult for Trudeau (among others) to understand —

Entertains: I found the cartoon above entertaining, because it is a mocking reminder of how hypocritical so many people are in their claims that Islam is a religion of peace, while they simultaneously ignore that so many Muslims are busy murdering others, simply because they disagree.   Again, notice the painfully obvious point that cartoonists cannot infringe on religious freedom with drawings, but murder is the ultimate infringement of freedom.

Enlightens: I found the cartoon above enlightening (at least indirectly), because it prompted me to do a little more digging into the foundations of such mockery, and my conclusion as a result is that such mockery is richly deserved (it is terribly polite, considering recent events).

Challenges Authority: Well, who is Trudeau trying to kid with this asinine mention?   How is mocking a violent religion, because many of it fanatical followers want to bomb people into self-submission to the religion's insane theocratic rules, not 'challenging authority'.   Trudeau's claim that 'Charlie Hebdo' was 'attacking a powerless, disenfranchised minority' was especially ironic, given that most of those cartoonists have now been murdered by that 'powerless, disenfranchised minority' that came from the ranks of over 1 billion Muslims.

Some may be quick to comment that the three descriptions I provide above are not compelling, since they are just one person's subjective opinion — just as I pointed out that Trudeau's comments are just one person's subjective opinion.   Well, that is part of my point — at a minimum, there is no reasonable way anyone can claim that my opinion is any less valid than Trudeau's, and any comparison between two subjective opinions in this regard is ultimately irrelevant.   Why?   Because other than the psychopathic religious fanatics who murder people for drawing pictures they do not like (like those who murdered the 'Charlie Hebdo' cartoonists), there is no conflict between freedom of speech and freedom of religion — that is, it is not possible for free speech to impinge on the ability of others to practice their religion.   But as the attacks on 'Charlie Hebdo' clearly prove (as do numerous other similar atrocities), the reverse is not true.   Fanatical religious belief is a terrible problem, and Islam is the poster child of fanatical religious belief.

And notice the absolutely idiotic comment Trudeau made regarding the 'Charlie Hebdo' cartoons and the French law prohibiting hate speech that directly incites violence —
By punching downward, by attacking a powerless, disenfranchised minority with crude, vulgar drawings closer to graffiti than cartoons, Charlie wandered into the realm of hate speech, which in France is only illegal if it directly incites violence.   Well, voila—the 7 million copies that were published following the killings did exactly that, triggering violent protests across the Muslim world, including one in Niger, in which ten people died.
Well, add the phrase 'directly inciting' to the many things that Trudeau is completely confused about.   Notice that nothing would not count as 'directly inciting violence', if any claim to 'being provoked' was considered 'direct'.   I'm only guessing here, but I would expect that the French law was meant to address actual statements that admonish specific acts of violence — oh like, say, those in the Quran which demand that Muslims behead non-believers --

http://quran.com/47/4
Quran 47:4
http://quran.com/8/12
Quran 8:12


The absurdity in Trudeau's comments is massive, and it is a tragic comedy that such comments would be made at an awards ceremony named in honor of a journalist who was executed during wartime.

What a priceless irony.   If there is anyone who does not deserve a George Polk Award, it is Trudeau.

So let's stress the obvious again, since there are so many people like Trudeau who are desperately trying to avoid it.

'Charlie Hebdo', among others, mocks a belief system that demands husbands beat their wives when they are too disobedient, for example, not to mention the admonishment that Muslims should behead those who do not believe, and 'Charlie Hebdo' is denounced for supposedly committing hate speech, while the Quran's many demands for violence go unmentioned.   You could not make this up.

If you are not foolish enough to be one of Trudeau's admiring readers, you should not be shocked by his contemptible comments.  Trudeau has a long history of pandering, so it is not the least bit surprising that once again, he has taken the least risky, and most slavishly conformist stance — while simultaneously deluding himself that he is being 'subversive'.

Oh brother.

I've included a couple of 'Doonesbury' strip examples below, and it is easy to find plenty more that are just as bad, if you do not mind slumming through the 'Doonesbury' archive at http://www.gocomics.com/doonesbury.

Consider this Doonesbury comic strip from January 24, 2016, and keep in mind that Garry Trudeau was born in July of 1948, so he was 67 years old when he wrote this (that is, he was certainly no dippy college student at the time) --

http://doonesbury.washingtonpost.com/strip/archive/2016/01/24
http://www.gocomics.com/doonesbury/2016/01/24
Doonesbury comic strip, January 24, 2016


Notice that a highly respected syndicated cartoonist, who is well over 60 years old, still has no idea what a profit margin is, and wants you to believe that it is a general rule that a business can become more profitable by simply raising one of its primary costs (i.e. labor).  The wishful thinking in Trudeau's strip above is actually hilarious — if raising employee pay to $15 an hour can make a company much more profitable, in part because employees can then buy more of the company's products, then if employee pay were doubled again, the company's profits would really shoot up!   Brilliant!

I even found it amusing that Trudeau made the woman the supposed voice of reason and moral authority in the strip above, because I doubt that it even occurred to Trudeau to reverse their roles, given how prone he is to politically correct thinking.   In today's culture, in describing a conversation between a man and a woman, of course a slavishly conformist writer like Trudeau would make the man the supposed fool, rather than the woman.

The flaw in Trudeau's logic here is glaring (surprise!), and, again, it should not be required to point it out.  But oh well.

To take just one example, shown below, among other stats, is the profit margin for the highly successful company Yum! Brands, which is the parent company of a number of restaurant chains (like Pizza Hut and Taco Bell).  Notice that their profit margin for the trailing twelve months (ttm) ending in April of 2016, was less than 10% --

http://finance.yahoo.com/q/pr?s=YUM+Profile
http://finance.yahoo.com/q/ks?s=YUM+Key+Statistics
Yum! Brands stats, as of April 2016


Profit margin is defined as the percentage of every dollar of sales a company keeps in earnings.

So think about what that means for a highly successful company like Yum! Brands, whose profit margin is less than 10%.  Such a profit margin means that Yum! Brands must have $10 dollars in sales to earn a single dollar in profit, since they only keep a dime of every dollar in sales.   And if one of their costs went up in isolation (like the labor cost increase Trudeau uses in the strip as supposedly increasing profitability), that cost increase would have to generate an increase in sales of 10 times that amount, just to cover the increased cost, and restore their original level of profit (never mind increasing their profitability).

That is, the profitability of a company with a 10% profit margin, could not go up after any cost increase, until 10 times that increase occurred in their sales.  This is obvious, and follows directly from the nature of a profit margin.  If a company loses, say, $1,000 dollars to a cost increase, their sales must increase by that loss divided by their profit margin (10% in this example), like this —
      $1,000 / 10%, or 10 x $1,000 dollars, which is $10,000 dollars

Or, stated a different way, since with a 10% profit margin, a company only keeps $1 dollar of every $10 dollars in sales, $10,000 dollars in increased sales will then be required to replace a $1,000 loss to any increased cost.

With that in mind, consider the absurdity of Trudeau's statements in the strip above regarding employees shopping at the company that employs them after a pay raise — even if all the employees spent their entire pay raise with their own employer, that would not even begin to cover the cost increase.  Again, since companies only keep a small fraction of their sales. 

The 'Doonesbury' strip above is essentially a stupid repetition of the often repeated myth that Henry Ford raised wages to $5 dollars a day at his Highland Park plant back in 1914, so his factory workers would be able to purchase the cars they were producing.  It takes little thought to see the absurdity of this premise, but in any case, that is not what motivated the raise.

When Ford instituted the raise in 1914 he had a massive and costly problem with turnover.  In 1913, turnover at Ford's Highland Park plant was an incredible 370% --

http://hfha.org/the-ford-story/henry-ford-an-impact-felt/
http://www.caranddriver.com/features/fords-assembly-line-turns-100-how-it-really-put-the-world-on-wheels-feature
...
By 1913 daily absences along the line were such that with 13,000 workers toiling away at the various assembly operations, Henry Ford needed over 1,000 extra men just to fill in for those who did not turn up for work.  Further, the labor turnover at the Highland Park Plant was an astounding 370%.  This meant that for every position in the plant, Ford needed to hire 4 men hoping one would work out and stay in the job for more than a few weeks or months.  Ford went through more than 52,000 men to keep a workforce of only 14,000 working full time.

In 1913 the majority of line workers were from eastern and southern Europe and their supervisors were American born.  Language became a barrier to production.  Drastic measures were necessary if Henry Ford was to keep up a rate of production that would meet the ever expanding demand for his Model T.  When confronted with the problem by his managers, Henry Ford declared that they simply needed to make more men.

On January 12, 1914 the Ford Motor Company announced that it would pay eligible workers a minimum wage of $5 per day.  For Ford workers it meant that their wage was going to more than double.  Ford also announced that it was going to reduce the work day from nine hours to eight, giving each employee one more hour outside the factory each day.  This would also permit the conversion of the factory from two daily shifts to a three-shift per day operation.
...


And notice that part of that $5 dollar a day wage was bonus, and there was a pretty big catch for receiving the full amount --

http://hfha.org/the-ford-story/henry-ford-an-impact-felt/
http://www.caranddriver.com/features/fords-assembly-line-turns-100-how-it-really-put-the-world-on-wheels-feature
...
There were strings attached to that $5 bill.  The basic wage was $2.34.  To qualify for the additional $2.66, a worker had to meet company standards for clean living, including sobriety, no gambling, thrift, and a happy home environment.  Ford actually formed a sociological department whose staff members visited homes to assess workers’ worthiness for the full five bucks.
...


Can you imagine a company today sending representatives to worker's homes, to check on the quality of their home life as a condition of employment or pay?

In any case, the point is that the conditions Ford was addressing with the pay increase were very specific: he was trying to keep men form leaving grueling, monotonous, and often dangerous factory floor jobs, because the turnover was so costly.  Such circumstances are rare in jobs today, so there is no indication that simply doubling the pay of certain workers would achieve the same outcome as it did for Ford back in 1914.  After all, what company today faces an employee turnover of anything approaching 370%?

I deliberately chose Yum! Brands as an example above, because there has been so much hype in the media recently regarding the wages in the food service industry, and because of the obvious dramatic differences between those jobs, and the typical job in Ford's Highland Park plant, back in 1914.  Even if turnover were unusually high in the food service industry, the cost of that turnover is much lower than it would have been on a turn of the century factory assembly line.  How long does it take to become competent at an entry-level restaurant job?  That the training is minimal is why such jobs are referred to as 'entry-level'.  Regarding the cost of Ford's turnover, I read that before the 1914 pay raise, some workers would just walk out of the Highland Park plant in the middle of their shift, bringing the assembly line to a halt — nothing comparable would happen if a fast food worker did the same.  You have to understand that difference, to understand the enormous cost of Ford's employee turnover problem.

This is not meant to denigrate the skills needed by entry-level food service workers.  The point is that Henry Ford was not just trying to boost morale — he had a crisis of morale that was enormously costly.  In short, a wage increase that was not targeted at a very costly problem in employee turnover, would not make a company more profitable.  As the Yum! Brands example above illustrates, the gains in productivity from an employee pay raise would have to be massive in terms of their dollar value, since a company typically keeps such a small amount of their total sales as profit.  And it is pure delusion to believe that a company like Yum! Brands could achieve $1 dollar of productivity gains for every dollar they raised wages, since fast food operations must already be heavily streamlined to be competitive.

And regarding Ford's 1914 factory workers purchasing the Model-Ts they were building — in 1914 Ford produced over 200,000 cars with a factory workforce of about 14,000, so even if every single Ford factory worker purchased a Ford car (not likely), those purchases would not have added even 7% to Ford's total sales.  And, again, even if all of Ford's employees spent their entire raise purchasing Ford cars (impossible), it still would not even return the cost of the raise, but only the fraction of those sales that Ford kept as earnings (depending on Ford's exact profit margin at the time).

It is not surprising that these inconvenient details are ignored when discussing employee pay raises, since they undercut the wildly popular, but ignorant sentiment that Trudeau was pandering to in his strip.

Now consider this 'Doonesbury' comic strip from April 3, 2011.  I actually enjoyed this particular strip as a glaring example of psychological projection and delusion on the part of Trudeau.  After all, what is more worthless than a cartoonist who simply repeats popular myths and biases, and, again, while pretending he is 'challenging authority' and 'subversive' --

http://doonesbury.washingtonpost.com/strip/archive/2011/04/03
http://www.gocomics.com/doonesbury/2011/04/03


Trudeau's strip above is so aggressively stupid, it does not deserve comment.  To those who have some sympathy for the obviously false notion that the banking profession as a whole is worthless, I suggest that you put your money under your mattress, and see how that works for you.   Good luck.

But what is truly fascinating here, is that one cannot reasonably argue that the strip above is not 'hate speech', if Trudeau's criteria are applied — that is, the strip above only provokes.

Let's apply Trudeau's criteria.   What authority does the strip challenge?   Bankers?  How?  No one is forced to use banking products — and bankers are certainly not murdering people who do not submit.  Bankers certainly are not a 'disenfranchised minority', to use Trudeau's words, but they are certainly not a majority, in a position of authority.   How does the strip enlighten?   By repeating a popular public ignorance that Wall St. banks caused an economic collapse, while nothing is ever said about the irresponsibility of borrowers?  Or the government sponsored lending agencies Fannie Mae and Freddie Mac, that facilitated most loans?  You have to be completely ignorant of most of the facts regarding the lending industry to think that Trudeau's absurd characterization is 'enlightening'.   Entertaining?   I'm sure it is to some, but, again, only to the most ignorant individuals, who are comforted by such absurd over simplifications, which give them a convenient whipping boy.

The only thing that is missing, is a violent protest by bankers, with the rationale 'Trudeau provoked us!' — since in that case Trudeau would have to acknowledge that by his own definition he 'directly incited violence', given his profound confusion in that regard.

Of course, Trudeau would counter that he only attacks so-called 'privileged classes' — as if the intended subject somehow magically determines the appropriate evaluation of the speech used in an attack, rather than the content of that speech.  If you provoke and attack those who meet Trudeau's subjective definition of a 'privileged class', excellent, otherwise, you are guilty of 'hate speech'.

To be clear, it would be absolutely asinine for someone to argue that Trudeau's strip above is 'hate speech', because it does nothing but provoke.  But that is precisely how asinine Trudeau's comments are — if 'only provoking'  is our simple minded definition of 'hate speech', then by any reasonable measure, 'Doonesbury' is filled with 'hate speech'.

This is the ultimate danger of Trudeau's aggressively stupid thinking.  With a subjective standard for speech illegitimacy like 'only provokes', nothing is safe, and 'Doonesbury' would be the first to go, Trudeau's pretentious self-flattery notwithstanding.

And this is precisely the 'positive social end' of the Muhammad cartoons that Trudeau is so completely clueless about.  That is, they do exactly what Trudeau in his grotesque display of cowardice claims they do not — they 'punch up' at a supposed authority, and the attempts of its many delusional followers to establish a theocracy.

Trudeau claims that 'Charlie Hebdo'  'attacked a powerless, disenfranchised minority' — given that we are talking about Islam, this is obviously absurd, and just another dramatic demonstration of Trudeau's crippled thinking.  'Charlie Hebdo' mocked a brazenly irrational belief system whose violent followers are attempting to terrorize others into submitting to its insane dictates.

Perhaps Trudeau will one day have the courage to actually live up to his own statement, but I doubt it —
Satire punches up, against authority of all kinds, the little guy against the powerful.

As an aside, as a senior in high school I had a teacher (this was decades ago) who was an ardent 'Doonesbury' fan.  So much so, that one day she had the class watch a 'Doonesbury' animated movie (I don't remember which Doonesbury movie it was — I think there is only one, but it isn't worth looking it up).   But I recall making a derogatory remark about the film afterward (something to the effect that it was a waste of time), because even as an inexperienced high school student, Trudeau's writing seemed to me to be filled with stupid bromides and idiotic rationalizations (like the two strips I commented on above).  I could not articulate it then, but I think my high school reaction was the same basic feeling I have about Trudeau's work today — it is obvious cowardice posturing as risk taking.  Those he attacks or mocks are never going to do anything in response, and he has always known it.   Just as he knows it is safe to attack murdered victims of Islam, whereas it is not safe to attack the violence advocated by the Quran.   The biggest risk Trudeau ever faced was being dropped from syndication.

The only reason I remember the high school event at all, is because the teacher overheard my denigrating comment, to which she responded with her own sophomoric retort, in perfect pretentious Trudeau fashion: 'Well, I figured it would go over your heads.'   And later I saw her in the hall, and she gave me a pretty heavy glare.

At the time I just found that teacher's response annoying, and I certainly made no attempt to challenge her, but in the few times that the event has come to mind in the years that followed (like when I'm pondering the dysfunctional nature of our public education system), I can only think how pathetic it was that a mature adult was incapable of even attempting to defend her convictions to a high school student.   Such is the nature of a 'Doonesbury' fan.

Monday, February 29, 2016

The Courage Of Charlie Hebdo, The Cowardice Of John Semley

'Charlie Hebdo' is a French weekly magazine known for being extremely satirical.  'Charlie Hebdo' has a traditionally politically left orientation, except in one crucial respect — 'Charlie Hebdo' has not displayed the obscene cowardice commonly displayed by modern day liberals.  That is, 'Charlie Hebdo' would likely take the same side on many issues, as today's typical American liberal, but with the glaring and critical exception that they are not cowards regarding freedom of speech (as in this example I wrote about previously).  As recent events have proven beyond any doubt, 'Charlie Hebdo' believed in and defended freedom of speech, and in today's world they at least deserve respect for that — however much they may have been wrong about anything else.

On January 7, 2015, Stéphane Charbonnier, the former editor of 'Charlie Hebdo', as well as eleven others, were murdered by two French Algerian Muslim brothers at the Paris offices of Charlie Hebdo.

'Charlie Hebdo' had long displayed a particular delight in attacking sacred cows — especially popular religions.  The 'Charlie Hebdo' website (as the site appeared on February 28, 2016) listed religion first among those things they are against --

https://charliehebdo.fr/en/     (the content shown had already been modified by the time this blog post was published)
"CHARLIE STANDS AGAINST... Religions which move mountains…of fools. ..."
Main Charlie Hebdo Web Page, from February 28, 2016
A portion of the main Charlie Hebdo web page, as it appeared on February 28, 2016.

CHARLIE IS...

A skewed angle on the news that skewers the news, a cheeky, snot-nosed, hands-in-pockets view other media disdains.  Food for thought, funnies, investigation and satire from journalists, writers, columnists and, of course, cartoonists.

CHARLIE STANDS FOR...

Secularism – pure and simple, no ifs no buts.  Anti-racism always, ‘identity politics’ almost never.  No ‘communities’ – only community.  Environmentalism free of political turf wars.  Universalism without all the weeping doves.  Sexual equality but not like Sarah Palin wants it.  Animal rights without tofu.  Culture without the petri dish.

CHARLIE STANDS AGAINST...

Religions which move mountains…of fools.  Redneck xenophobes who won the birthplace lottery.  Facebook billionaires googleising the world.  Bankers gambling away our money.  Industrialists forcing us to live in gasmasks.  Footballers more air-headed than their footballs.  Hunters who shoot at us when we’re picking mushrooms.  Dictators who put us in the position of occasionally agreeing with Bernard Henri Levy.

CHARLIE IS FOR

Peace, love and free kittens for everybody.

CHARLIE IS AGAINST

War, want and very bad haircuts.
...


Given all the reporting regarding 'Charlie Hebdo' and Islam, it would be easy to come to the mistaken impression that 'Charlie Hebdo' only mocked Islam.

Stéphane Charbonnier was widely quoted regarding the double standard for mockery or criticism of Islam --

http://www.reuters.com/article/us-protests-france-cartoons-idUSBRE88H1CX20120918
http://www.nydailynews.com/news/crime/charlie-hebdo-long-history-provocative-religious-satire-article-1.206863
"We do caricatures of everyone, and above all every week, and when we do it with the Prophet, it's called provocation."


After depicting a caricature of Muhammad on the cover of a November 2011 'Charlie Hebdo' issue, the 'Charlie Hebdo' offices were fire-bombed.

Here is a short video from the 'The Telegraph', giving a brief overview of 'Charlie Hebdo', and the fire-bombing of their offices in November of 2011 --

http://www.telegraph.co.uk/news/worldnews/.../Charlie-Hebdo-attack-2011-firebomb-over-Prophet-Mohammed-issue.html
http://www.nytimes.com/2011/11/03/world/europe/charlie-hebdo-magazine-in-paris-is-firebombed.html
http://www.nytimes.com/2015/01/08/.../charlie-hebdo-editor-made-provocation-his-mission.html
http://www.nytimes.com/2015/04/17/.../book-by-slain-charlie-hebdo-editor-argues-islam-is-not-exempt-from-ridicule.html



Here is that 'Charlie Hebdo' cover, from a November 2011 issue, showing their caricature of Muhammad, which was reported to have provoked the fire-bombing of the 'Charlie Hebdo' offices.  Stare at this image, and ponder the kind of mind that would want to commit multiple murders because of it --

https://en.wikipedia.org/wiki/Charlie_Hebdo#Muhammad_cartoons_and_aftermath
Charlie Hebdo Cover, November 2011, Charia Hebdo, Muhammad caricature
The cover of a November 2011 issue of Charlie Hebdo, which is presumed to be linked to the fire-bombing of its offices that same month.
The word balloon reads "100 lashes if you don't die of laughter!"


Here is Stephane Charbonnier being interviewed as he views the damage from that 2011 bombing --

http://www.telegraph.co.uk/news/worldnews/.../Charlie-Hebdo-attack-2011-firebomb-over-Prophet-Mohammed-issue.html



Just two days before his death, Stéphane Charbonnier finished writing a short book, that has now been published in English under the title: 'Open Letter: On Blasphemy, Islamophobia, and the True Enemies of Free Expression'.

In 'Open Letter', Charbonnier denounced the use of the term Islamophobia as dangerously misleading --

http://www.independent.co.uk/.../...-letter-to-the-islamophobia-frauds-who-play-into-the-hands-of-10193565.html
http://www.cbc.ca/radio/q/.../this-open-letter-survived-the-charlie-hebdo-attacks-1.3393131
...
Really, the word "Islamophobia" is badly chosen if it's supposed to described the hatred which some lame-brains have for Muslims.  And it is not only badly chosen, it is dangerous.  From a purely etymological viewpoint, Islamophobia ought to mean "fear of Islam" – yet the inventors, promoters and users of this word deploy it to denounce hatred of Muslims.  But isn't it odd that "Muslimophobia", or just "racism", isn't used instead of "Islamophobia".

Why has this word taken over?  From ignorance, from idleness… but also because those who campaign against Islamophobia don't do so to defend Muslims as individuals.  They do so to defend the religion of the prophet Mohamed.
...


Here is a review by John Semley that essentially proves Stéphane Charbonnier's comment quoted above.  Semley's review is a case study in empty, ad hominem filled writing.  John Semley insists in his review quoted below that 'Charlie Hebdo' is 'racist and idiotic', as well as being 'giggling cowards' (among other insults) — despite offering nothing to even hint at justifying such remarks.

Ultimately, Semley concludes that mockery of Islam is unfair and unjustified.   Why?   Because Muslims are supposedly persecuted by Christians (again, Semley makes no attempt to defend this assertion), and because Islam prohibits it.

Yes.  Really.

If a religion prohibits caricatures of certain figures, you just have to obey.  Semley defends Islam here exactly as Charbonnier described in the quote above from 'Open Letter', so it is no wonder that Semley would attack Charbonnier for denouncing such an obviously ridiculous stance, never mind for not being as slavishly conformist as Semley --

http://www.theglobeandmail.com/.../review-charlie-hebdo-editor-charbs-open-letter-is-problematic/article28050654/

Review: Charlie Hebdo editor Charb’s Open Letter is problematic
JOHN SEMLEY
Special to The Globe and Mail
Published Thursday, Jan. 07, 2016 2:09PM EST
The night of the Charlie Hebdo shooting, just over a year ago, I went to a comedy show.  Not as some act of solidarity or anything.  Just because some friends were putting together a comedy show.  Some of the performers made uncomfortable jokes about the shootings, and about cracking wise under a dark pall that saw a group of French satirists and cartoonists brutally murdered by Islamist terrorists.  Like, I think, most people on Jan. 7, 2015, I was shocked and saddened by the attacks.  Yes, it was a shock and sadness that has become, these days, so rote as to feel almost banal.  But nevertheless.

I learned about Charlie Hebdo in the days (and even hours) after the attacks.  I soon found myself at odds with sentimental liberal acquaintances on the Internet, who hastily championed the Hebdo jokers as martyrs in some imagined war against freedom of expression.  It became increasingly difficult to square the image of the slain Hebdo staffers as secular saints with their crude drawings depicting the Prophet Mohammed prostrated on his stomach, splayed anus pointed at the reader, or Jesus Christ having anal sex with God, drawings that began to strike me as inciting, offensive, sometimes racist and, more than anything, just stupid.

This is not meant to diminish their deaths, or the tragedy of it.  But making an overstated case for the political, social and satirical relevance of the kind of infantile scribblings that you might find on a White Power message board online strikes me as oversimplifying.  That Charlie Hebdo was racist and idiotic doesn’t justify the murder of its staff.  But it doesn’t justify their work, either.

Open Letter, a posthumous “manifesto” by Hebdo editor Charb (a.k.a. Stéphane Charbonnier), one of the 11 people gunned down in the paper’s offices last year, is an opportunistic, largely facile attempt at justifying Charlie Hebdo.  What might otherwise have been distributed as a tatty, Xeroxed pamphlet plunked on Parisian newsstands is packaged by Little, Brown in a slim, hardcover volume, and tacked with a forward by The New Yorker’s Adam Gopnik (who apparently studied the history of cartooning and caricature in grad school).  Even in presentation, it’s a garish artifact targeted at the same schmaltzy liberal simpletons who hailed the Hebdo shooting victims as sacrificial offerings in the West’s war against both Islam and free expression.

Charb’s so-called manifesto – like Gopnik’s framing essay, and like a lot of the conversations about Charlie Hebdo and freedom of the press in the wake of the shootings – is cobbled around a sloppy and entirely fallacious premise.  “The Charlie cartoonists,” Gopnik writes, “were, always, radically democratic and egalitarian in their views.”  It’s a sentiment Charb repeats ad nauseum.  As he puts it, “If we suggest that it’s okay to make fun of everything except certain aspects of Islam because Muslims are much more sensitive than the rest of the population, isn’t that discrimination? Shouldn’t we treat the second-largest religion in France, exactly as we treat the first?”

In response to such moronically reductive questions, and against claims of Charlie Hebdo’s “radically democratic” tendencies, I’d say, quite simply: No.  Reading wobbly defences such as this, I keep coming back to that old adage about “perfect laws for a perfect world.”  It’s something philosophers, historians, and economists such as David Hume and Adam Smith wrote about – that the ideals of law (whether the constitutional laws of men or the “higher laws” of God and religion) seem to presume a perfect world in which they can be applied; one in which all things are equal.  Of course, this wasn’t the world Hume or Smith lived in.  And it’s sure not the world we live in.  To presume that the standards of law and civility should be applied in a manner where all other things are considered equal is a rhetorical trick, and one Charb and the Hebdo defenders deploy with childlike abandon, like school kids playing semantics to weasel out of trouble.

Depicting a Christian icon such as Jesus (even if he’s engaged in buggery with his Holy Father) is not the same as depicting Mohammed.  There are two main reasons for this.  First, as mentioned above, all things aren’t equal.  Peaceful, law-abiding Muslim and Arab communities are persecuted, feared and openly antagonized (in France and elsewhere) in a way that’s not commensurate with the treatment of Christians, whose moral universe shapes that of huge swaths of the Western world.  Second, Islam is pretty particular about an iconism: The religious prohibition against representing sentient beings, particularly God and Mohammed.  So, to depict the Prophet at all, let alone in one or another state of sexual degradation, is especially offensive.  It’s not an example of some “radically democratic” ethic (unless it’s so “radical” as to be entirely undemocratic).  It’s deliberately, pointedly provocative.

Charb drapes his racism and intellectual feebleness inside basic counterintuitive inversions of logic, as if he’s playing the role of Baby Žižek.  The basic thrust of Open Letter is, “Well, are not the real Islamophobes the ones who automatically assume that all Muslims would be offended by our silly doodles?” Again: no.

The late Charb would likely brand me as one of the “terrorized intellectuals, moralizing old clowns and half-witted journalists” who rail against Charlie Hebdo.  That’s fine.  Freedom of speech and all that.  But a dashed-off leaflet such as Open Letter proves to me that the real clowns, and the real Islamophobes, are the ones who stir sentiments of racism, xenophobia and religious persecution while hiding behind their constitutional protections and civil guarantees of freedom of expression like giggling cowards.

Again, I say this not to devalue the Hebdo shootings, but to dispel something of the aura of martyrdom surrounding it.  Their ethics of freedom of expression and unchecked expression are all noble and good and all.  But they’re built for a perfect world.  And a world in which cartoonists who earn their livings doodling the genitals of major religious figures are hailed as vanquished heroes strikes me as the furthest thing from a perfect world.



Here is a recording of Eiynah from the blog 'Nice Mangos', interviewing John Semley on her podcast 'Polite Conversations', regarding his review quoted above of 'Open Letter' —
      https://www.youtube.com/watch?v=DBve1K6u2X8
      https://soundcloud.com/politeconversations/episode-4-john-semley-is-charlie-hebdo-racist

If you were not disgusted enough already, listening to that podcast should further convince you that John Semley's critical thinking skills are seriously degraded.  Eiynah is a Pakistani-Canadian who left Islam and became an atheist — she writes anonymously, since she receives death threats from Muslims for being an apostate.

Notice that John Semley's method of defending Islam in his review above is not new — that is, calling the critics racist, despite the glaringly obvious fact that Islam is not a race, it is a system of belief   (see Ben Affleck's ridiculous attempt to defend Islam in much the same way).

It is chilling to listen to John Semley hold firm in his idiotic criticism of 'Charlie Hebdo', even while talking to another person who lives under threat of death from Muslims.  At one point in the podcast, Eiynah challenges Semley to explain why the belief that individuals should be murdered for leaving Islam should not be mocked (it is, after all, obviously insane), and Semley is completely incapable of responding — he simply evades the question.

One has to wonder: how many more must be murdered by Muslims, for no good reason, before those like John Semley and Ben Affleck would even begin to acknowledge that there is a massive problem with Islam?

I found John Semley's review to be so empty of useful criticism, and so full of unstated implications, I rewrote it myself to clarify its real meaning.  In closing, here is my highly modified version of Semley's supposed criticism, in an attempt to at least make it honest.  My additions are in red below --

Review: Charlie Hebdo editor Charb’s Open Letter is problematic
Original by JOHN SEMLEY — modified to remove the dishonesty (additions are in red, strikeout through irrelevancies)

The night of the Charlie Hebdo shooting, just over a year ago, I went to a comedy show.  Not as some act of solidarity or anything.  Just because some friends were putting together a comedy show.  Some of the performers made uncomfortable jokes about the shootings, and about cracking wise under a dark pall that saw a group of French satirists and cartoonists brutally murdered by Islamist terrorists.  Like, I think, most people on Jan. 7, 2015, I was shocked and saddened by the Charlie Hebdo attacks.  Yes, it was a shock and sadness that has become, these days, so rote as to feel almost banal.   Almost banal, because now I almost feel that it really doesn't matter that those 12 people were killed, even though I pretend that it matters (at least a little) in the paragraphs that follow.  Obviously, it is contradictory to call something banal and important simultaneously, since calling a response obvious and unoriginal (i.e. banal), implies that the repetitions of that response have trivialized it — but I'm still going to use that contradictory language anyway.  Of course, we all know that unoriginality in no way implies a lack of importance.  That is, feeling sadness in response to a number of brutal, cowardly, and pointless murders is a reaction that any remotely reasonable person would have, so such a reaction is by definition obvious and unoriginal (or banal).  So I'll diminish the value of a common, rational reaction by describing it as almost banal in an attempt to sound sophisticated.   But nevertheless.

I learned about Charlie Hebdo in the days (and even hours) after the attacks.  I soon found myself at odds with sentimental liberal acquaintances on the Internet, who hastily championed the Hebdo jokers as martyrs in some imagined war against freedom of expression.   I say 'imagined war against freedom' in order to dismiss the obvious harm that everyone knows has already been done (like, say, the grotesque murder of Theo Van Gogh — never mind the repressive Islamic states and their anti-blasphemy laws), because openly acknowledging the real harm does not support my attempts to denigrate the work of Charlie Hebdo.  And, obviously, we all know that numerous journalists have been killed by radical Muslims (not to mention the 2011 Charlie Hebdo fire-bombing) — but I'll stick with the word 'imagined' here in a feeble attempt to fool readers that might be ignorant of the obvious and real dangers demonstrated from Muslims in recent years, so I can denigrate Charlie Hebdo.  The phrase 'imagined war against freedom' is especially absurd, and expecting almost complete blindness from my admiring readers, when one considers that I am writing this as the result of a group of people being gunned down by religious fanatics for publishing pictures the fanatics did not like.   It became increasingly difficult to square the image of the slain Hebdo staffers as secular saints with their crude drawings depicting the Prophet Mohammed prostrated on his stomach, splayed anus pointed at the reader, or Jesus Christ having anal sex with God, drawings that began to strike me as inciting, offensive, sometimes racist and, more than anything, just stupid.   Note that I will keep repeating 'splayed anus' regarding Charlie Hebdo cartoons, even though it is only one among hundreds of their cartoons (at best), in order to give uninformed readers the false impression that a single cartoon accurately describes all of Charlie Hebdo's work, again, since that supports my attempts to denigrate them, even though it does not accurately characterize the work of Charlie Hebdo.  The use of the word 'splayed' here actually creates a false description, since the Charlie Hebdo cartoon depicting Muhammad with his ass pointed directly at the reader, has a star covering the anus (the title reads: "A Star Is Born") — that is, the anus is not 'splayed', though I will keep repeating that anyway.  Also, notice that my charges of racism are an ad hominem fallacy, since they are unsupported, and act as an attempt to make it appear that I have done real research on the meaning of many of the Charlie Hebdo cartoons, even though I will not provide even a single example here, despite stating that I know of such examples.

This is not meant to diminish their deaths, or the tragedy of it.   I will repeat this statement yet again below, even though I have already described the rational reaction to these brutal murders as 'almost banal', and even though I will also refer to Charlie Hebdo as a group of 'giggling cowards' — despite the painfully (especially to me) obvious fact that the Charlie Hebdo cartoonists had more courage than I am able to fathom.  No one needs to point out to me that denigrating a group of people after they were murdered for supposedly giving offense, is a dramatic display of cowardice.  Obviously, apart from the possibility of receiving insults for my weak writing in this opinion piece, I am taking no risk here — I am giving a partial defense of radical Muslims, and a supposed right not to be offended, after all.  But I'm still not going to give any specifics to demonstrate any of my accusations, because I do not have to — my admiring readers do not require evidence.   But making an overstated case for the political, social and satirical relevance of the kind of infantile scribblings that you might find on a White Power message board online strikes me as oversimplifying.  That Charlie Hebdo was racist and idiotic doesn’t justify the murder of its staff.  But it doesn’t justify their work, either.   Of course, I also know that repeating an ad hominem fallacy, as I just did in calling Charlie Hebdo 'racist and idiotic', does not provide valid criticism either.  But again, I do not need to provide a valid argument for my criticism, with justifying examples, because my admiring readers do not want to read such distracting details anyway — they just want to be titillated by my name calling (and so do I).

Open Letter, a posthumous “manifesto” by Hebdo editor Charb (a.k.a. Stéphane Charbonnier), one of the 11 people gunned down in the paper’s offices last year, is an opportunistic, largely facile attempt at justifying Charlie Hebdo.   I say 'opportunistic' even knowing that the Charlie Hebdo offices where fire-bombed back in November 2011, after the magazine published an issue with a caricature of Muhammad on the cover.  That is, I know Charlie Hebdo had already been attacked by Muslims, but I will still describe Stéphane Charbonnier's criticism of the term 'Islamophobia' as exploiting an opportunity.  And I will use the phrase 'largely facile' even though this too is invalid criticism, since it is obviously true that truth is not determined by complexity.  That is, saying that an explanation is simple, in no way demonstrates that it is false.   What might otherwise have been distributed as a tatty, Xeroxed pamphlet plunked on Parisian newsstands is packaged by Little, Brown in a slim, hardcover volume, and tacked with a forward by The New Yorker’s Adam Gopnik (who apparently studied the history of cartooning and caricature in grad school).  Even in presentation, it’s a garish artifact targeted at the same schmaltzy liberal simpletons who hailed the Hebdo shooting victims as sacrificial offerings in the West’s war against both Islam and free expression.   Yes, I just cannot resist injecting ad hominem fallacies, as well as ignoring the overwhelming evidence that directly contradicts my statements regarding free expression under Islam (as if everyone knows that it is glaringly obvious there is no problem there).

Charb’s so-called manifesto – like Gopnik’s framing essay, and like a lot of the conversations about Charlie Hebdo and freedom of the press in the wake of the shootings – is cobbled around a sloppy and entirely fallacious premise.  “The Charlie cartoonists,” Gopnik writes, “were, always, radically democratic and egalitarian in their views.”  It’s a sentiment Charb repeats ad nauseum.   Just as I inject ad hominem fallacies ad nauseum.   As he puts it, “If we suggest that it’s okay to make fun of everything except certain aspects of Islam because Muslims are much more sensitive than the rest of the population, isn’t that discrimination? Shouldn’t we treat the second-largest religion in France, exactly as we treat the first?”

In response to such moronically reductive questions, and against claims of Charlie Hebdo’s “radically democratic” tendencies, I’d say, quite simply: No.  Reading wobbly defences such as this, I keep coming back to that old adage about “perfect laws for a perfect world.”  It’s something philosophers, historians, and economists such as David Hume and Adam Smith wrote about – that the ideals of law (whether the constitutional laws of men or the “higher laws” of God and religion) seem to presume a perfect world in which they can be applied; one in which all things are equal.  Of course, this wasn’t the world Hume or Smith lived in.  And it’s sure not the world we live in.  To presume that the standards of law and civility should be applied in a manner where all other things are considered equal is a rhetorical trick, and one Charb and the Hebdo defenders deploy with childlike abandon, like school kids playing semantics to weasel out of trouble.   I make some classical author references here, even though they are completely irrelevant, in the hope that I can distract uncritical readers from noticing the glaring double standard that I am going to defend.  Charlie Hebdo was certainly making no assumptions about some supposed set of "perfect laws for a perfect world" — the preferential double standards (i.e. the imperfect laws) that people always create was precisely the point.  That is, the hypocritical pretense that one group or religion deserves some special status and respect, demands mockery and contempt — respect must be earned, and tolerance is only justified for the civilized.

Depicting a Christian icon such as Jesus (even if he’s engaged in buggery with his Holy Father) is not the same as depicting Mohammed.  There are two main reasons for this.  First, as mentioned above, all things aren’t equal.  Peaceful, law-abiding Muslim and Arab communities are persecuted, feared and openly antagonized (in France and elsewhere) in a way that’s not commensurate with the treatment of Christians, whose moral universe shapes that of huge swaths of the Western world.   I actually have no idea how extensively Christians persecute Muslims, since there is no way for me to demonstrate this statement, but I am going to insist it is true anyway, since it supports my view, and it will be too difficult for any reader to disprove it.  And, of course, this comment will help to distract readers from the many Muslim victims of Islam, who are murdered for not obeying the views of more fanatical Muslims (typically their own family members).   Second, Islam is pretty particular about an iconism: The religious prohibition against representing sentient beings, particularly God and Mohammed.  So, to depict the Prophet at all, let alone in one or another state of sexual degradation, is especially offensive.  It’s not an example of some “radically democratic” ethic (unless it’s so “radical” as to be entirely undemocratic).  It’s deliberately, pointedly provocative.   Actually, I know it is ridiculous to claim that cartoons are provocative, and I am hoping that no one will notice the absurd cultural relativism I am defending here.  Obviously, a religion could not morally force young adolescent girls into marriage, for example, because its participants thought men owning women was required by the religion.  In the same way, no belief system can legitimately block criticism and mockery with the claim 'it is prohibited by the belief system'.  Obviously, this is completely absurd, even to me — the delusional belief in some group of people that something is sacred, does not make it sacred.  But I also desperately hope that no one will notice that I am defending intolerance, by making the claim that some are justified in believing that an entire belief system should be immune from criticism or mockery, thereby justifying intolerance of such criticism.  And, of course, it makes no sense for anyone to respect anything about a particular religion, when most members of that religion do not respect the simple right of others to disagree, and wish to kill them if they do.  Obviously, I know that a belief system cannot improve, if criticism of it is prohibited — and the more unfounded and irrational the belief system, the more desperately it needs to be criticized.   And the events surrounding Charlie Hebdo, considered alone, dramatically demonstrate that the last thing the world needs is to setup some bizarre and completely exceptional status for Islam, simply because its followers claim they deserve it, as I am stating here.  Islam has always been treated with a respect that is completely unjustified by the absurdly violent content of its belief system.  And obviously, Charlie Hebdo did nothing to stop anyone from practicing Islam, yet Charlie Hebdo was attacked by fanatical Muslims, repeatedly, for refusing to follow supposed Islamic dictates — by any barely reasonable definition, Charlie Hebdo is tolerant, while a great number of Muslims are not.

Charb drapes his racism and intellectual feebleness inside basic counterintuitive inversions of logic, as if he’s playing the role of Baby Žižek.  The basic thrust of Open Letter is, “Well, are not the real Islamophobes the ones who automatically assume that all Muslims would be offended by our silly doodles?” Again: no.

The late Charb would likely brand me as one of the “terrorized intellectuals, moralizing old clowns and half-witted journalists” who rail against Charlie Hebdo.  That’s fine.  Freedom of speech and all that.  But a dashed-off leaflet such as Open Letter proves to me that the real clowns, and the real Islamophobes, are the ones who stir sentiments of racism, xenophobia and religious persecution while hiding behind their constitutional protections and civil guarantees of freedom of expression like giggling cowards.   I know I am really outdoing myself here.  Describing a group of people who publicly published without the protection of anonymity, as 'hiding behind constitutional protections and civil guarantees', when those people were gunned downed by Muslim fanatics is the height of macabre irony.  Yes, 'Charlie Hebdo' did stir up sentiments of 'religious persecution' as I claim, but I desperately hope that readers are completely blind here, and are too lazy to notice that the religion I am defending did the persecuting.  And so much for those 'constitutional protections and civil guarantees' that I pretend to defend.

Again, I say this not to devalue the Hebdo shootings (I cannot resist injecting this comment again, even though I have liberally sprinkled my writing in this piece with empty, sophomoric insults of Charlie Hebdo — obviously, denigrating a victim has the effect of trivializing their death or suffering, regardless of how many times I repeat the opposite), but to dispel something of the aura of martyrdom surrounding it.  Their ethics of freedom of expression and unchecked expression are all noble and good and all.  But they’re built for a perfect world.   Actually, only a world where people were not fanatical, hysterical murderers would do (i.e. partially civilized), but I will still pretend that such a world should be called 'perfect', even though it is, again, expecting almost complete blindness from my admiring readers.   And a world in which cartoonists who earn their livings doodling the genitals (again, an insignificant number of the Charlie Hebdo cartoons showed genitals, but I cannot help pretending that defines their work one last time) of major religious figures are hailed as vanquished heroes strikes me as the furthest thing from a perfect world.